Search the Western Clippings Site

An Interview With…
        - Archives

Will "Sugarfoot" Hutchins
    - Archives

Do You Remember?
    - Archives

Comic Book Cowboys
    - Archives

Westerns of...
    - Archives

Heavies and Characters
      - I. Stanford Jolley
      - Don Harvey
      - Bruce Dern
      - Ian MacDonald
      - Bob Kortman
      - Bob Wilke
      - Denver Pyle
      - Jack Ingram
      - Jan Merlin
      - Neville Brand
      - John Anderson
      - John Milford
      - Lee Marvin
      - Trevor Bardette
      - Morgan Woodward
      - Michael Pate
      - Fred Kohler
      - Mari Blanchard
      - Dick Alexander
      - Hank Worden
      - Marie Windsor
      - Edmund Cobb
      - Gregg Barton
      - Douglas Fowley
      - Walter Burke
      - Budd Buster
      - R. G. Armstrong
      - Gregg Palmer
      - Rex Holman
      - Ernie Adams
      - Robert Ryan
      - Ted de Corsia
      - Scott Marlowe
      - Lee Roberts
      - James Coburn
      - Victor Jory
      - Kenne Duncan
      - Stephen McNally
      - Wallace Ford
      - Earle Hodgins
      - Douglas Kennedy
      - DeForest Kelley
      - George Macready
      - Terry Frost
      - John Doucette
      - Riley Hill
      - James Seay
      - Richard Devon
      - Harry Lauter
      - James Griffith
      - Myron Healey
      - J. Farrell MacDonald
      - Jean Willes
      - Hank Patterson
      - L. Q. Jones
      - Tom London
      - Leo Gordon
      - Holly Bane/Mike Ragan
      - Dan Duryea
      - John Cason
      - Dennis Moore
      - Lee Van Cleef
      - Jack Elam
      - Roy Barcroft
      - William Fawcett
      - Byron Foulger
      - Gerald Mohr
      - Tom Bay
      - Lafe McKee
      - Paul Sorenson, Ben Welden, William Watson, George Barrows
      - Strother Martin
      - Carl Stockdale
      - Edward J. Peil
      - George Wallace
      - Claude Akins
      - Al Taylor
      - Henry Silva
      - John Dehner
      - Donald Curtis
      - Steve Brodie
      - John Merton
      - Lyle Bettger
      - Ted Adams
      - John Cliff
      - Marshall Reed
      - Barton MacLane
      - Al Bridge
      - Warner Richmond
      - Charles Stevens
      - Ethan Laidlaw
      - Chris Alcaide
      - Tris Coffin
      - Noah Beery Sr.
      - Frank Ellis
      - Zon Murray
      - Lane Bradford
      - Morris Ankrum
      - Harry Woods
      - Charlie King
      - Glenn Strange
      - Forrest Taylor
      - Bud Osborne
      - Dick Curtis
      - George Chesebro

The Stuntmen - Neil Summers
    - Archives

Western Treasures
    - Archives

Circus Cowboys
    - Archives

Rangeland Elegance
    - Archives

Western Artifacts
    - Archives

Film Festival Fotos
    - Archives

Silent Western Reviews
    - Archives

Serial Report
    - Archives

Research & Consulting

Subscribe to Western Clippings

Other Western Links

COLLECTIBLES FOR SALE:

Western Clippings Back Issues

Serial Report Back Issues

Daily Comic Strips

Sunday Comic Strips

Books

Miscellaneous Collectibles

Lobby Cards

Laser Copies of Lobby Cards

Movie Posters

Home

Terry Frost.TERRY FROST

Believe it or not—Terry Frost’s first “performance” was reciting poetry in a house of prostitution. Seems most who frequent such establishments are not there to listen to poetry, but that is what Frosty claimed.

Terry Lawrence Frost was born October 26, 1906, in Bemidji, Minnesota, a northern Minnesota logging town. His father, Frank Frost, a one-time lumberjack, also owned a “saloon” where Terry sold newspapers and recited poetry. Terry’s mother was Minnie Williams. With the advent of prohibition in 1919, Terry’s father went from being a successful barkeeper to a flourishing bootlegger. His untimely death a few years later created an economic burden for the family while Minnie struggled as a seamstress. So, upon graduation, following the example of his older brother, Terry struck out for the open road.

Arriving in Oregon by freight car, he was completely broke. Offering to do odd jobs in a local brothel, he was given a place to eat and sleep. With his great memory for poetry, Frost nightly provided interpretations of well known pieces such as “The Ballad of Yukon Jake”. According to Frost, he “kept waiting customers occupied while the girls were busy.” He set out a bowl and was allowed to keep all the donations he collected. Frost actually did the same in houses of ill repute in Spokane and Seattle before returning home with a nest egg of $7,000. Employed in yet another whorehouse in Minneapolis, a local stock company producer threw a party, asking Frost to entertain. The producer was impressed and cast Terry as a drunken bum at $35 a week at the Shubert Theatre. However, he maintained his “other” job as it was by now earning him $200 a week.

For years Terry traveled throughout the midwest in stock companies and vaudeville shows. When his wife, a dancer, became pregnant, Terry decided to try settling down as a movie actor. At first his film aspirations failed and he opened a restaurant, Terry Gene’s, on Wilshire Blvd. Eventually, his agent began to find work for him in westerns. Regarding the person who helped him on his first film, Terry said, “He was a very friendly person, so I got to know him on the first day, and I said, ‘You know, I don’t know a thing about motion pictures; I’m from the theatre…can you help me?’ Well, he helped me all week in the first motion picture I made—(it was) Ray Whitley.” The film was Tim Holt’s “Cyclone On Horseback” (‘41).

Eddie Dean and sidekick Roscoe Ates pull down on badmen Terry Frost and Eddie Parker in "The Hawk of Powder River" ('48 PRC).

From there, the film and TV work, mostly westerns, never let up until the late ‘50s with over 120 movies and serials and some 150 TV shows to his credit. In the ‘40s Terry was primarily associated with Monogram and PRC for westerns, and Sam Katzman’s Columbia serials. “I told them (studio heads) to give me a black hat, not the white one. I wanted to be a heavy; the guy who ran the saloon, robbed the widows, and stole the money. That was the best part since you worked all the time. I never wanted a contract either because I wanted to be free. I free-lanced all the time. I was kind of an adventurous guy. I always thought Monogram made the best westerns—story-wise for one thing—and had the best directors.”

Frost worked in 15 serials for producer Katzman, with good roles in “Hop Harrigan” (‘46), “Jack Armstrong” (‘47), “Tex Granger” (‘48), “Superman” (‘48), “Bruce Gentry” (‘49), “Pirates of the High Seas” (‘50), “Mysterious Island” (‘51), “Great Adventures of Captain Kidd” (‘53), “Gunfighters of the Northwest” (‘54) and “Perils of the Wilderness” (‘56).

Whip Wilson gets the drop on outlaw Terry Frost in Monogram's "Montana Incident" ('52).

In the ‘60s as film parts faded away, Frost turned to teaching, conducting a drama course at Patricia Stevens Career College in Pasadena for a year. After that he worked for a travel agency as a tour director for nine years, visiting remote parts of the world. In 1973 he elected to spend more time with his wife of 40 years who, unfortunately, died the Christmas Eve following his retirement.

Frost next put together a handbook for aspiring actors, ACTORS ONLY, published in ‘77. He then did eight or ten stage shows including a tour of “Come Blow Your Horn” with Sylvia Sidney along the east coast into Canada.

On November 20, 1983, Terry married former actress Marion Carney who appeared with him at several western film festivals in the ‘80s and early ‘90s.

Terry was fond of saying, “When I hear the expression ‘Crime Doesn’t Pay,’ I think to myself, I did pretty well by it.”

Those that worked with Frost recall while sitting around locations between scenes, Terry would carve a little wooden fist with a hole in it to be used to cinch up a neck handkerchief. He carved these and gave them to various friends. Terry was well liked as witnessed by the comments we received at his death. Myron Healey: “Lots of laughter. Always had a funny story to tell. Always carried his carving knife…he always whistled and whittled. He was a sturdy son of a gun. Wonderful man.” Gregg Barton: “When I

Jimmy Ellison and Johnny Mack Brown issue a stern warning to Terry Frost on Monogram's "Dead Man's Trail" ('52).

worked with him in pictures, he was a heavy drinker but he was never abusive with it…and it never interfered with his work. He always performed. He was a delightful guy to work with. I used to die laughing at him…every time he had one of those death scenes he would flip-flop like a fish out of water. (Director) Jack (John) English said to him one time, ‘C’mon Terry…die already, will ya…we only got a two reeler here.’ I liked working with him, he was fun, he relieved the pressure, he had endless energy. I don’t know how he did it, drinking as much as he did, but he was great.” House Peters Jr.: “He was a boisterous sort of a person and he let you know he was around, that’s for dang sure. He had a million stories.” Lois Hall: “Terry was fun and funny always during shootings. He always had a million stories to tell. He was always out to enjoy life and have fun. He certainly wasn’t afraid to do stunts and jump into the middle of any fracas.” Walter Reed: “I thought he was a very competent actor. He had a good background on the stage. He did a lot of work and was very well liked. He drank too much but I never saw Terry nasty…and I never saw him drink while working. He was a very rugged man.” John Hart: “I knew Terry since the late ‘40s with Katzman. He was quite likable. He had a unique style of acting. It was a little…well, if you’ve seen his films, he was great at popping his eyeballs. But his unique style of acting fit into those westerns. He worked all the time and made a good living at it. Then he became a tour guide for cruises and traveled all over the world doing that. He was competent with a great sense of humor and a great deal of perseverance.”

Terry died as an in-patient at Valley Medical Center in Los Angeles March 1, 1993, of congestive heart failure. He was 86. His remains were cremated and scattered around his birthplace.